A Review: Half-Blood Blues by Esi Edugyan

A Review:

Half-Blood Blues by Esi Edugyan

01.30.2012

By Zara D. Garcia-Alvarez / @ZaraAlexis

***

Category: Literary Fiction

Author: Esi Edugyan

Format: Hardcover, 304 pages

Publisher: Thomas Allen Publishers

ISBN: 978-0887-6274-15

Pub Date: August 25, 2011

Winner of the 2012 Giller Prize

***

     

 I could say I finished this “gem” of a book, but to call it that would do it an injustice. This jazzy, soulful novel isn’t a gem; it’s a whole lot of gems in a truckload—a mine. Hell, I wept at key parts (that if you’ve read it, will know exactly which parts I’m referring to) and I’m no crying type…well, not really.

I usually come at a book as a ruthless editor and a fair, but brutally honest, sometimes brash reviewer. But this Giller beauty has earned every penny and glory worth its acclaimed prize.It’s a little rough at the beginning, and by that, I don’t mean poor in writing, but brittle in narrative that forces you as the reader to realize how you read, think, and speak.

The dialogue, like the story, grows on you until our very thoughts mimic its language and tone. I was easily and unnoticeably transported to pre-war Berlin, but not just any Berlin, but its underbelly: its hot spots, its seedy bars, its jazz-crooning, smooth-wiling ways. Its nightlife—no, the potency of its life—its jazz as a tangible, organic thing.

While reading, I wished I could literally “hear” the music being played, the essence of it reverberating off the pages. As the band of brothers, these soulful jazz creators, worshipped Louis Armstrong, jazz, and the life of jazz itself, I, too, became infatuated with its dinginess, its raw energy, its powerful hypnosis on the band, their listeners, and on the readers of the novel.

The heart of “real” jazz seemed to be expressed as an impromptu blending, a magic that cannot be duplicated, or created by imitation, perfection, or musical scores—but could be invoked by the players themselves in their individual talent, their feel and unit as a group, and their own layers of interpretation and surprise.

Jazz, the music, a fundamental thread in the book, by that definition, spoke of the players’ unstructured, chaotic, and unexpected lives.

Like the band of men, Paul, Fritz, Sid, Chip, Hiero Falk—the joy, melancholy, suffering, pain, and redemption they experience in the life force of the music they play and vice versa.

What is achingly beautiful about this book is how interconnected the characters are to jazz, the music, jazz, the life, their compulsion for it, their gifts in creating it, their arduous love and respect towards it—and to each other.

But, it’s not just about jazz. It’s also a book about territory, war, “racial cleansing.” The music, too, is an ostracized, rebellious sibling to its classical counterparts that goes under attack. The very freedom of creativity, art, music, and brotherhood is under fire.

But, even through distinct and separate fates, the men are bonded by their love and passion for the music they create. It’s alive in them.

The book is self-prophetic in saying,

“Blues…blues wasn’t ever bout the cords.” p. 275

Half-Blood Blues will croon you into empathy for a group of men who has had to survive their haunted pasts, the cruelty of a mad-made war, the betrayal and endurance of their friends, and the weaknesses and strengths of their own natural talent.

***

Zara’s Rating

***

Book Review: The Virgin Cure by Ami McKay

Book Review:

The Virgin Cure by Ami McKay

01.24.2012

By Zara Alexis D. Garcia-Alvarez / @ZaraAlexis

 

***

Category: Fiction

Author: Ami McKay

Format: Hardcover, 356 pages

Publisher: A. Knopf Canada

Pub Date: October 25, 2011

***

Ami McKay writes with storytelling ease of a young girl named “Moth” by a legendary pear tree on the crossroads of Pear Tree corner. As imaginative as this sounds, and though the novel is filled with a sort of Cirque du Soleil creativity in the trappings of the book’s characters from their costumes to their well-manufactured displays of propriety—the book is anything, but happy.

It tells of the polarity between decadence and poverty in the streets of New York in 1871, the age of mysterious outbreaks of disease that would come to be known later as typhoid, diphtheria, smallpox, tuberculosis, gonorrhea, and syphilis.

It is, in simple terms, a story of survival, of not only the city’s poverty and disease, but the ramifications of its poor choices, or lack thereof, which leads or continues the culture’s socially accepted, yet somewhat masked moral decline.

Poor and impoverished families sell their young daughters away into prostitution where they are not only valued for their youth, their potential profitable income, but also for their “certified” virginity and innocence. But the value tied to a girl’s virginity is not entirely driven by a desire toward her innocence and purity, but rather driven by a rumoured myth of a virgin cure – the belief that a man with disease could cure himself by deflowering a virgin, of which the novel is aptly titled.

The tale is of a 12-year-old girl named Ada “Moth” Fenwick who is left behind by her “gypsy” mother in poverty by a man whose wandering eye and lustful appetite found a much younger companion by the name of Katie Adams. Though this part in the plot is small, it is the catalyst that propels Moth into an enslaved life of first: servitude, theft, and then prostitution. It can also be said that her father’s actions were, but a mere microcosm of the male psyche at large in the tenements of lower Manhattan in 1871; a foreshadowing of men’s dismissive view of marriage and their wives.

What is left is an array of women who react to their station in life, their personal ambitions for survival in prosperity, security, and if fitting, love.

Ada’s mother, a gypsy fortune teller is frugal with her love toward her daughter, perhaps as a result of the severity of her abandonmentby her husband and the severity of being poor with a child to raise on her own, single-handedly. It would be better to think she did this as an effort to strengthen Ada in tactics of survival, but it’s too hopeful an assumption. As a reader, I suspect her coolness toward her daughter is due to the hardship of their impoverished life together and her personal heartache.

 

“The Fortune Teller.” Painting by George Elgar Hicks, oil canvas, 1824-1914.

As ambition goes, Ada’s mother maximizes her exotic origin by exaggerating her prophetic, supernatural abilities and by doing so, increases whatever profit she is able to make. An interesting trait about Ada’s gypsy mother is her partiality to collecting charred trinkets from the wreckage of house fires. It is as if, perhaps, her willingness to settle for charred, token items, speaks to her submission finally to the horror of her environment, her poverty, and her inability to overcome it.

Miss Emma Everett, the madam in charge of raising young girls in prostitution on “No. 73 East Houston Street,” is surprisingly fair to the girls, understanding always their crucial role in her tenacious ambition toward financial success. She is clear about her expectations, preying in on their youth, their beauty, and their willingness to succeed in raising their status from “almost whore” to “whore” in order to avoid a life on the streets. Miss Emma is able to tantalize the girls with material extravagance and special treatment when she feels a girl is able to seduce clients into securing her and her household a fortune. She is neither cruel to the girls in the house, but strict in their tutelage in beauty and etiquette. They are, to her, neither daughters, nor friends, but commodities to her social status and her business. Miss Emma reflects the materialistic woman who will erase moral boundaries in order to survive and flourish amongst her peers, perpetuating men’s stereotypes of girls and women and satisfying their sexual appetites while filling her purse.

 

Mrs. Wentworth, though endowed with a high station and riches, is inflicted with sorrow, anguish, and rage, desiring power and vengeance on the youth, beauty, and innocent victims who beguile and surpass her in arousing desire. The plot of Mrs. Wentworth’s cruelty was so difficult to read, I had to, during numerous times in my reading, put the book down. It is enough to say, Mrs. Wentworth’s worst enemy is herself in her own torment that she feels compelled as a coping mechanism or an act of survival to inflict the same kind of torment on others. Though she is cruel, she is, in fact, not the most degenerate of the characters in the book.

Though Dr. Sadie is a woman of heritage and rich origin, her family also ostracizes her because of her choice in pursuing an education and a career that equals that of a man’s (at that time), rather than marriage. She boards and works in the New York Infirmary for Indigent Women and Children, provides medical care for the young girls who live on East Houston Street, and pays regular visits to those who are too ill to leave their homes for medical care. Dr. Sadie, the polar opposite of Miss Emma Everett in moral attitude, is similar to her in that she works within the rules of a social system to further her goals, namely, to care for those who are in need. Her financial compensation is most likely small compared to her previous lifestyle, but provides an outlet where she feels she is doing some good especially toward the young victims that fall prey to the “virgin cure” mythology.

Ada “Moth” Fenwick is the child at the centre of the story whose lowly station in life has left her with few choices in acts of survival within the streets of Manhattan. She is an embodiment of “child-woman,” young as 12-years-old, innocent in the ways of sexuality, yet hardened by the harsh environment she finds herself in: from abandonment of her father; an unrequited love from her mother; cruelty and humiliation in the service of Mrs. Wentworth; manipulation by a butler whom she trusts; dishonesty in the craft of begging and stealing on the streets south of East Houston; the betrayal of friends in competition for being the most valuable asset and commodity to Miss Emma Everett; to the eventual knowledge and misuse of her own sexuality.

            The stories of these girls and women work together to showcase a hungry, desperate, and diseased New York City in the 1870’s beneath the decadence of mansion and estate, dress trains, and social elitism.

           ”Moth” is not a butterfly, but an active mistress of the night, able to hover much like a hummingbird, above  her circumstances.

***

Zara’s Rating

***

I read “The Virgin Cure” by Ami McKay as my choice under the theme “Historical Fiction” for the 2012 Random Reading Challenge from January 1 to February 29.

***

Do you agree with prostitution as a means for financial survival? Why or why not?

***

Zara’s Literary Cocktail

By Zara Alexis D. Garcia-Alvarez

We writer types have been readily accused of suffering from melancholy, seclusion, and the vice of the drink.

In honour of this, I’ve created my own “literary cocktail.”

To my writing peers and friends in the craft, “clink” and cheers!

Zara’s Literary Cocktail:

4 strong characters
1 elusive protagonist
3/4 true setting
1 plot moving back and forth in time
3 1/2 tsp. of tension
1 shot of surprise
a dash of romance to add sweetness
a twist of drama (plus 4 squirts of harbouring resentment)
a gallon of excellent, pure narrative
a drizzle of lyrical prose
1 creative title
2 spell-checks
3 proofs
2 cover designs
1 snazzy jacket
100% recycled paper
11 pt. Trebuchet MS
1 editor (detail-oriented perfectionist preferred – avoid sloppy type)
1 smooth-talking, ethical agent (must be collegial and business savvy)
1 supportive publisher
1 literary grant
8 hours of quiet per day
25 quarts of concentration
100% creativity
1 extra-patient partner/companion/husband/wife
one million words of encouragement
350-380 pages
10 conversations with personal muse (articulate, wise)
180 oz. of luck
90% talent
150% tenacity
5000+ tweets
1 international audience (receptive audience preferred)
8 translations
garnished with swag bookmarks, tote bags, buttons, key chains, and/or mugs
4 book signings
15 book clubs
1 national tour
5 giveaways packs
1 black and white author photo
1 60-word biography for back jacket flap
1 renewable contract
50% royalties
1 CIP
2 ISBNS (pre-ISBN 13 included)
1 library catalogue
50 years copyright
a span of solitude
an hour of self-doubt
2 days of denial
1 week of procrastination
7 pills of anti-depressants
A whole lot of guts (not to be confused with fish guts, but of the brave sort)
Very little Glory
Some Respect
Even less Money
Written with precision, humility, passion, and care.
Stir well. Watch for froth.
For sweeter taste, add either 1 Giller Prize or 1 Governor General’s Award.
Chill with relief.
Serve with dignity.
Preparation time: 6 months
Experience required: A lifetime
Taste: Varies depending on reader
Cost: Everything
Available at:
Random Drink House
McClelland & Stewart Brothel
Doubleday Shots
E. Knopf Liquors
HarperCollins Pub
The Wobbling Penguin
Thomas & Allen Brewery
House of a Nancy
The Pub(lishing) Crawl
***
(c) Zara Alexis D. Garcia-Alvarez

My Bookish Home

When I was six years old, a young woman with a briefcase came into my home and spoke to my parents over a cup of coffee. And from her briefcase, she laid out on our small kitchen table, glossy brochures. As she spoke, my parents nodded, enthusiastic, calling whatever they were about to do, an “investment.” My father wrote out a cheque and a week later the woman came back with boxes. These boxes changed my life.

My father opened up the packages and in sequential order, placed the beautifully binded encyclopedias on our bookcase. There was a set from A to Z, two separate dictionaries, and an index. My father read each volume from cover to cover until he completed the set.

The other set, the Childcraft Encyclopedia, was dedicated to me and I was encouraged to read as my father did, each volume to my liking.

So I did.

It was with awe that I sat in my room discovering the secrets within the pages of the book I had opened. It was with each word that I grew powerful. I could finally translate what the letters meant. I could pronounce with a little hesitation, new words that were heavy, but playful in my mouth. Slowly, the sentences became verses. The verses soon became paragraphs. And the paragraphs into chapters. And at the end of each story, I was filled with a knowledge of something fantastic—so imaginative, yet real, it comforted me more than the world I lived in. Books had become my playground, my solace, my secret friends.

While other children complained when prompted to read in school, I secretly looked forward to it. I did my homework because I had to. I read my books because I loved to.

My school librarian was my heroine. And when the annual Scholastic Book Fair came around, I was ready and eager in the front of the line with my pencil in hand. My family couldn’t really afford books, so I knew my choices were limited. I would have to be frugal, but wise. As I searched the tables, I found a book with a picture of a girl, a spider, and a pig.

At home my mother asked me how the Book Fair went and if I found anything that I liked. I was shy about my choice, eager to own it, unsure if my mother or father would agree to buy it, guilty that it might cost them more than they could really afford.

I pulled my Scholastic order form out of my hand-sewn knapsack and thrust it out to my mother in hope my urgency would be expressed in that one act.

“‘Charlotte’s Web’ by E.B. White…that looks like a good one. Let’s go and see what your father thinks.”

My encyclopedia-reading father who routinely and adamantly sat me down at the dining table to write out my ABC’s everyday would surely be my ally. (Until this day, I am frequently complimented on my “graceful” and “elegant” penmanship—so much so, I have been asked if I could turn it into a font!)

My father looked at my one-item list, pulled cash from his wallet and said, “Remember to always spend this wisely. There will be things you will want to buy, but a book will always be something you need. Remember, a book will always be better than a toy.”

I had no complaints. I had toys and I played with them. But, what my father didn’t know at the time of his advice was that books were already my secret treasure. I didn’t read books because I had to, I read them because there were stories in them that needed telling, that needed reading. So, as a child, I read voraciously. My appetite grew with each finished novel, each new, explored genre.

My second home would be the local library. I was eight when my father helped me apply for my very first library card. It was the most valuable thing in my wallet. It grew creases with age as my book lists grew and my tote bags lugged with weight.

Years later, my library has grown, but I still own the Childcraft Encyclopedia set that my parents bought for me when I was six; I still have the original copy of the “Charlotte’s Web” book that I bought from the school Book Fair.

If anything, I am proud to say I’m an avid reader. It isn’t a go-to line as much as it is a short biography. I am an avid reader and have been so since I was a child.

I’m an avid reader. I’m a book borrower. I’m a bibliotaphe.

I’m one of those people who puts books on hold at the library two months in advance so that I can be one of the privileged few to get my hands on a new release before they hit the library shelves for patron distribution.

I’m one of those people who will sit in an aisle at a book store and forget I am there because I’m enthralled with what I’m reading. (I once finished reading the poems in “The Blizzard of One” by Mark Strand in one sitting.)

I’m one of those people who will ignore my telephone so that I can finish reading the end of a line or the end of a chapter.

I’m one of those people who organizes my books by author, genre, or emotional attachment.

I’m one of those people who miss literary characters once a book has ended.

I’m one of those people who has piles of books in each and every room of my house.

I am also one of those people who will shrug off a date in order to go to a book signing, a poetry reading, a wine and cheese party, or a literary gala.

And I am also one of those people whose awe in meeting an author in person is equivalent to the hysteria found in others toward famous rock stars and starlets from Hollywood.

I know the different names, literary genres, and styles of publishers who print and distribute the books that I love.

I collect bookmarks and am not ashamed about it.

I love the feel and smell of a new book.

I’m one of those people who will stay up late into the wee hours of the night in order to finish reading a book, finish writing a review, and post it onto my book blog.

My love of books has not only inspired me to write this blog entry, but to imagine what it would it be like if I could transform my actual living space into bookish delight.

I’d like to live in a book house.

On Paper Avenue.

With pens as my picket fence.

My book house would have book stairs:

A book nook closet:

(From: “Turn a Closet into a Book Nook.”)

A book bed:

(From: ”Design for Mankind.”)

And a book desk.

(From: “5 Jaw-Dropping Ways to Repurpose Vintage Books.”)

I’d read under a book chandalier:

(From: “5 Jaw-Dropping Ways to Repurpose Vintage Books.”)

Take a shower behind a written page:

(From: “What a $65 Dave Eggers Shower Curtain Looks Like.”)

And watch my paper flowers bloom.

(From: “DIY Storybook Paper Roses.”)

I’d “unscramble” my pillows:

(From: http://www.etsy.com)

Keep myself “literally” warm with this scarf:

(From: http://www.etsy.com)

I’d jot my thoughts about books into these:

(From: http://www.etsy.com)

And when I’m done, carry them all in this typewriter tote bag.

(From: http://www.etsy.com)

Sure, I want books under the tree at Christmas time. But, I love books so much, I’d want to make my Christmas tree out of books as well.

(From: “Make a Book Christmas Tree.”)

And instead of giving my daughter a Barbie, I’d buy her, her very own Margaret Atwood doll:

(From: http://www.etsy.com)

And when I travel, I much prefer to pack these in my luggage instead of clothes:

Photo: (c) Zara Alexis D. Garcia-Alvarez

Forget the old lady who lived in a Shoe. I’m the dame who wants to live in a Bookish Home!

If you find any “bookish” treats to add to my dream home, please don’t hesitate to post a comment with a link and I can post it here on my blog.

Until then, happy reading.

***

(c) Zara Alexis D. Garcia-Alvarez

50 Book Pledge for 2012

The savvy readers at The Savvy Reader have motivated hundreds of book lovers again this year by calling out a 50-Book Pledge in 2012.

This is my first time pledging to anything other than my marriage vows ten years ago, so as you can see, I mean business.

50-books kinda business.

Here are my 50 hopefuls for this year:

1. Half-Blood Blues by Esi Edugyan – COMPLETED January 9, 2012

2. The Tiger’s Wife by Téa Obreht

3. The Virgin Cure by Ami McKay – COMPLETED January 21, 2012

4. Salvage the Bones by Jesmyn Ward

5. The World We Found by Thrity Umrigar

6. The Night Circus by Erin Morgenstern – COMPLETED February 4, 2012

7. Tell It to the Trees by Anita Rau Badami

8. 1Q84 by Haruki Murakami

9. The Antagonist by Lynn Coady

10. The Sisters Brothers by Patrick deWitt

11. 11/22/63 by Stephen King

12. The Free World by David Bezmozgis

13. In Other Worlds by Margaret Atwood

14. Mordecai: The Life & Times by Charles Foran

15. Killdeer by Phil Hall

16. The Paper Garden by Molly Peacock

17. The Map and the Territory by Michel Houellebecq

18.  An Atlas of Impossible Longing by Anuradha Roy

19. Why Men Lie by Linden MacIntyre

20. State of Wonder by Ann Patchett

21. American Dervish by Ayad Akhtar

22. Bride of New France by Suzanne Desrochers

23. A Visit from the Goon Squad by Jennifer Egan

24. The Borrower by Rebecca Makkai

25. Geisha, A Life by Mineko Iwasaki

26. Better Living Through Plastic Explosives by Zsuzsi Gartner

27. We Need to Talk About Kevin by Lionel Shriver

28. When God Was a Rabbit by Sarah Winman

29. Some Ether by Nick Flynn

30. The Year of Magical Thinking by Joan Didion

31. The Angel Esmeralda: Nine Stories by Don Delillo

32. The Best American Poetry 2011 ed. David Lehman

33. Printmaker’s Daughter by Katherine Govier

34. An Available Man by Hilma Wolitzer

35. Carry the One by Carol Anshaw

36. The Flowers of War by Geling Yan

37.  The Flight of Gemma Hardy by Margot Livesey

38. Floating Like the Dead: Stories by Yasuko Thanh

39. History of a Pleasure Seeker by Richard Mason

40.  The Land of Decoration by Grace McCleen

41. Ten Thousand Saints by Eleanor Henderson

42. The Boy in the Suitcase by Lene Kaaberbol

43. The Baker’s Daughter by Sarah McCoy

44. The Bellwether Revivals by Benjamin Wood

45.  Swamplandia! By Karen Russell

46. The Winter Palace by Eva Stachniak

47.  All the Flowers in Shanghai by Duncan Jepson

48.  The Headmaster’s Wager by Vincent Lam

49. Folk by Jacob MacArthur Mooney

50. Ossuaries by Dionne Brand

It’s a list. It’s a start. Why don’t you join me and countless others in our quest toward 50 books by the end of 2012?

Time to make a hot cup of tea or coffee, wrap yourself up in a cozy blanket, put on those ugly, fuzzy slippers Aunt Suzy gave you last year, make sure your reading lamp is on, the children are in bed, and the phone is disconnected. Time to bend that binded beauty.

Ready?

Let’s go!

(c) Zara Alexis D. Garcia-Alvarez